DIRECTOR, EDITOR AND PHOTOGRAPHY
Gary sells balloons on New York subways and dreams about learning magic. Filmed conversations get the Brazilian documentary filmmaker closer to this Brooklyn resident from a Cuban background, that in long underground routes questions himself about his way of navigating this world. DOC | 2017 | 10'
FESTIVALS
38º VISCULT Ethnographic Documentary Film Festival (Finland, 2018)
27º Rio de Janeiro International Short Film Festival; Curta Cinema (Brasil, 2017)
11º Atlantidoc – Uruguay International Documentary Film Festival (Uruguay, 2017)
12º MiradasDoc – International Documentary Film Festival; Official Selection (Spain, 2018)
11º Porto7 – Festival Internacional de Curtas-Metragens do Porto (Portugal, 2018)
8º Art of Brooklyn Film Festival, Seleção Oficial (USA, 2018)
6° Festival Internacional de Cortometrajes de Medellín – FICME (Colombia, 2018)
8º Curtas em Flagrante (Portugal, 2018)
5º Festival Mundial de Cine de Veracruz (México, 2018)
2º Mostra Sesc de Cinema Paulista (Brazil, 2018)
38º VISCULT Ethnographic Documentary Film Festival (Finland, 2018)
27º Rio de Janeiro International Short Film Festival; Curta Cinema (Brasil, 2017)
11º Atlantidoc – Uruguay International Documentary Film Festival (Uruguay, 2017)
12º MiradasDoc – International Documentary Film Festival; Official Selection (Spain, 2018)
11º Porto7 – Festival Internacional de Curtas-Metragens do Porto (Portugal, 2018)
8º Art of Brooklyn Film Festival, Seleção Oficial (USA, 2018)
6° Festival Internacional de Cortometrajes de Medellín – FICME (Colombia, 2018)
8º Curtas em Flagrante (Portugal, 2018)
5º Festival Mundial de Cine de Veracruz (México, 2018)
2º Mostra Sesc de Cinema Paulista (Brazil, 2018)
FILM CREDITS
Direction, Photography & Edition: Marina Thomé | Sound Editor: Vinícius Leal | Assisting Editor: Guilherme Leandro | Produced by Estúdio CRUA
Special thanks to Theatre of the Oppressed NYC
Direction, Photography & Edition: Marina Thomé | Sound Editor: Vinícius Leal | Assisting Editor: Guilherme Leandro | Produced by Estúdio CRUA
Special thanks to Theatre of the Oppressed NYC
